From "Water Music/Two Moons/Quatermass" (Owl Records ORLP-7, 1966).
Dockstader, born 1932 in St. Paul MN, was one of America's electronic music pioneers, although active for only a brief time (1960-1965). During these five years he produced at least nine major works, all still in print. He started in 1955 by moving to Hollywood to become an editor and sound effects man for cartoons, including Mr. Magoo and Gerald McBoing Boing. In 1957 he got a job as an assistant engineer at Gotham Studios, staying late in the studio to work on his own compositions. Seven years later he left Gotham to work as an audio-visual designer on the Air Canada Pavilion at Montreal's Expo '67. Despite his rich legacy of recorded work, he was denied access to the major electronic music centers because of his lack of academic credentials. Dockstader chose not to pursue it, stating that his work with tapes had become obsolete anyway with the advent of synthesizers, even though tape music was still created through the 1970s at the Groupe de Recherche Musicales. As his label says, "We will never know what new realms of sound he may have led us into if the Columbia-Princeton Center hadn't turned him away in the mid-sixties."
When I wrote the above for the EAM booklet in 1999, I assumed Dockstader had passed away. One of my correspondents, David Lee Myers, corrected me, letting me know that Tod was still very much alive. I sent a copy of this compilation to him, which initiated a spirited correspondence which lasted until his untimely passing in 2015, one month shy of his 83rd birthday. Meanwhile David coaxed Tod back into the (virtual) studio, where he said "computers make everything so much easier." Their collaboration resulted in two new releases, "Pond" (2004) and "Bijou" (2005), as well as three new Dockstader solo CDs, "Aerial #1, 2 & 3" (2006) and a compilation "From The Archives" (2016). To the end Dockstader remained a questing curious unconventional composer.
www.starkland.com/musicians/dockstader.htm