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From "Electronomusic - 9 Images" (RCA VICS-1371, 1968).

Another American, although little else is revealed on the album cover and no current sources mention him. Turns out he was the same John Pfeiffer who was a staff producer at RCA Records, producing LPs for such notables as Spike Jones, Morton Gould and Henry Mancini in "Living Stereo." In the liner notes to his one (and only?) LP Pfeiffer states, "Dimensions of time and space occupy our physical attention, our physical being. But our conceptual being can warp time and space limitlessly. Fantasy, imagination, emotion -- the transformations of physical order -- can interpret, clarify, contradict, affirm or deny, even create. It happens in moments. And musical events are moments strung together, time ordered, mood ordered." Remember, this was the height of the sixties. About "After Hours" he writes, "Tribute is paid to the sonic randomness of a segment of civilization, the modern business office. Simultaneous sounds of business machines normally encountered create a cacophony of disorder. But individually they represent percussion instruments of a mammoth orchestra, and we imagine that they could dispose themselves in rigorous rhythm "after hours.""
www.discogs.com/artist/845576-John-Pfeiffer

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Anode Seattle, Washington

I've recorded under the name Anode since 1972, in much the same way that Winnie the Pooh lives under the name Sanders.

What I've recorded may not be 'music' to everyone's ears, since it includes "organized sound" and soundscapes, both real and imagined. I make no apologies; my skill set is limited.

My authentic soundscapes can be found over here:
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